Presents the history of gospel music in the United States. This book traces the development of gospel from its earliest beginnings through the Golden Age (1945-55) and into the 1960s when gospel entered the concert hall.
Their own music, and how it operates, is not, however, always seen as valid in its own right. This book provides an overview of both these genres, which worked together to provide an expression of twentieth-century black US experience.
Tracing the relationship of black sacred music and social change, Wyatt Walker observes, ". . .if you listen to what black people are singing religiously, it will provide a clue as to what is happening to them sociologically.